As readers will know, Hughes, now in his mid-80s, was himself an influential participant in the craft debate. When art director at Goldsmiths’ Hall and chairman of the Craft Centre of Great Britain, he not only promoted traditional design in gold and silver but actively encouraged the innovative use of alternative materials and expressive flights of the imagination. He laments the lack of recognition given to the crafts but barely at hints at disagreements in the design world occasioned by the way in which the Goldsmiths’ Company patronised expensively desirable pieces and the Crafts Council promoted radical, cutting edge, yet unwearable designs. When Hughes bought Ramshaw’s work for the Goldsmiths’ collection in 1970 he had already overcome some initial resistance from the traditionalist Company, and gave an important boost to her career. But in 1972, the idea that the Victoria and Albert Museum might acquire her pieces was rejected by its director John Pope-Hennessy, and only agreed under the directorship of Roy Strong. In 1975, when the Science Museum also acquired examples of Watkins’s work in acrylic and silver, the purchase of jewellery was unprecedented. The purpose was to demonstrate Watkins’s technological achievement in heat-forming, bonding and colouring a single object in the new material, acrylic. the end of the book the artists have added 31 pages of descriptive “Notes” to the plates. They contain much useful information omitted from the text and the brief picture captions. For the insights they offer into the artists’ thinking these notes may rank among the most fascinating and revealing sections of the book.
The artist jewellers Wendy Ramshaw and David Watkins met at Reading University in 1961 when they “fell quickly and completely in love” and married the following year. In 2012 they will mark 50 years of what Graham Hughes celebrates as “togetherness”. For 35 years they shared a studio, he tells us in his book David Watkins Wendy Ramshaw: A Life’s Partnership. They collaborated on paper jewellery in the 1960s, exhibited together, travelled together and shared the same experiences. They raised a son and daughter together while pursuing independent careers, each winning wide acclaim, and thrilling international admirers with their surprising and inventively daring design. Their ingenuity as intimate adorners of the body takes on another dimension in large-scale commissions for gates and other public designs. The technical and visual influences common to each, and the creative cross-overs, as well as their distinctive identities as designers—Watkins, austere and minimal, Ramshaw at home in elaborated assembly—are beautifully presented in this profusely illustrated book.It is hard to know whether to categorise the book as biography or as an appreciation of the contribution Watkins and Ramshaw have made to the revival of jewellery design in the past half-century. Hughes claims it as the first account of “their life and work as a couple”. In support the artists have released informal family photos. At the same time, the dust jacket describes Hughes’s book as “a timely reminder” of these artists’ role “in shaping the practice and understanding of contemporary jewellery and metalwork in the UK and internationally”. These two intentions never fuse. In recognition of their equality, the book has two biographical beginnings, “David” and “Wendy”, laid out in parallel columns of text, one of which, in grey type, is particularly trying on the eyes. The experience is confusing and it is best to read each column as a chronologically separate if overlapping tale.
word jewellery is derived from the word jewel, which was Anglicised from the Old French "jouel" circa the 13th century.[1] Further tracing leads back to the Latin word "jocale", meaning plaything. Jewellery is one of the oldest forms of body adornment; recently-found 100,000 year-old beads made from Nassarius shells are thought to be the oldest known jewellery.[2] is sometimes regarded as a way of storing wealth and might also posses some minimal functionality, such as holding a garment together or keeping hair in place. It has from very early times been regarded as a form of personal adornment. The first pieces of jewellery were made from natural materials, such as bone, animal teeth, shell, wood and carved stone. Some jewellery throughout the ages may have specifically been as an indication of a social group. More exotic jewellery is often for wealthier people, with its rarity increasing its value. Due to its personal nature and its indication of social class, some cultures established traditions of burying the dead with their jewellery. has been made to adorn nearly every body part, from hairpins to toe rings and many more types of jewellery. While high-quality jewellery is made with gemstones and precious metals, such as silver or gold, there is also a growing demand for art jewellery where design and creativity is prized above material value. In addition, there is the less costly costume jewellery, made from lower value materials and mass-produced. Other variations include wire sculpture (wrap) jewellery, using anything from base metal wire with rock tumbled stone to precious metals and precious gemstones.
For men's gold jewelry - individuality is the universal message. For a growing group of men, the only way to achieve individuality is to have their gold jewelry custom designed. Men like being involved in the design process, so they will end up with something totally unique. The new trend in men's gold jewelry - whether custom designed or carefully selected - seems to boil down to individual taste and style. men want something more innovative in their wedding bands and rings particularly. Thanks to a growing group of artisans who are rethinking the design of men's gold jewelry, men have more choice than ever before. The new wedding rings and bands run the gamut from modern, sculptural designs to turn-of-the century antiques. And the matte finishes on many of these rings and bands have an undeniable modernity. often has a special symbolic meaning, and men who prefer a lighter colored metal will find great choices in white gold wedding bands. While buying a white gold wedding bands, men need not worry about the cost since white gold tends to cost about the same as yellow gold. rings and bands are even a combination of precious metals: Jewelry designers are mixing metal colors - like yellow with white gold, or traces of once popular platinum. Platinum was the standard in the early 1960s but gradually the trend moved to white gold.
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When my first marriage faded into oblivion, the engagement ring I'd worn with such joy and love was banished to my jewelry case. later, older and much wiser, I resurrected the ring and had it re-set by a jeweler friend to reflect my newly discovered independence and style. But back in those days, the sight of those diamonds on my right hand was simply a painful reminder of my failure in the marriage stakes. it seems I was ahead of my time. right-hand baling ring is the latest status symbol for women who no longer feel they have anything to prove. are earning more, marrying later and have more disposable income than ever before, leaving them with plenty of room for a little self-indulgence. And it goes without saying that the newest status symbol should encompass the ultimate status symbol, diamonds. fact, the trend has become such a major force it's been given its own (albeit lackluster) terminology - "self-purchaser". to Greg Distefano, a spokesman for the Diamond Information Center at J. Walter Thompson, "The self-purchase market is now a $3.75 billion business in the United States. Rings are the single largest type in this market. They account for two out of every five pieces of self-purchased jewelry." to get in on the action, DeBeers, the world's largest diamond producer, has produced a series of ads to tap into the hearts and wallets of this enormous, previously ignored, consumer demographic. left hand is your heart. Your right hand is your voice," croons their recent print ads. "Your left hand says 'I do.' Your right hand says 'I did what?' Your left hand knows the answers. Your right hand asks the questions. Your left hand rocks the cradle; your right hand rules the world. Women of the world, raise your right hand." a market of over 43 million single women in the United States, Rota Fox, a former advertising copywriter, created the "Ah Ring" in December 2000. "Since I was single, I named it The Ah Ring, and decided "Ah" would symbolize being A, available and H, happy. I thought since married women have wedding rings, and engaged women have engagement rings, single women should have a diamond ring they could buy and call their own,"
Whether you want a bracelet to add style to the outfit you're already wearing or you're looking for a necklace to accent your whole personality, there are plenty of choices in the fashion jewellery world. of women love wearing fashion jewellery for lots of reasons, but the main reason is because it's not only less expensive than other types of jewellery, but it also adds a bit of variety and fashion to your already-styled clothing! these types of accessories definitely gives a better option than always buying jewelry that costs hundreds of dollars at a time. Furthermore, women usually have a whole place in their closets devoted to the fashion jewellery that they wear for different occasions. can be purchased that will have holiday themes, like Christmas that depict images of snowmen and snowflakes, and this type of fashion jewellery can also be purchased with Valentine's Day themes, as well as themes and gems that will go with your own birthstone! are also different levels of the fashion jewellery that you can buy. For example, many retail stores carry jewellery that is made of plastic and inexpensive materials. These types of accessories definitely will add personality and flare to your clothing and whole person, but there are other types of fashion jewellery that are more expensive that will also act as great accessories that you can wear. of the concerns that some women have with fashion jewellery, and perhaps the main reason that they don't buy it, is that they think that it won't look like real jewellery at all! However, many types of fashion jewellery that you can buy will definitely look like real diamonds, gold, and other materials without actually having to afford the luxury of including the real materials in the jewellery itself. can buy a diamond ring that looks like it would have a real stone in it for not much more than $30! Additionally, gold-plated necklaces and silver-plated necklaces will have the look of real gold and sterling silver necklaces! Needless to say, there are a whole bunch of different options when searching for fashion jewellery that you most likely will not have trouble finding something that you like! do females wear this type of jewellery, though? Many women choose to wear fashion jewellery at various places that they go and some individuals choose to have a piece of fashion jewellery on whenever they step out their front door! But some popular events and places that women go to where they love to put on these types of fashion accessories include hip-hop clubs, dates, parties, as well as family events, holiday parties, and even weddings!
